crittersheep (
crittersheep) wrote2024-06-29 06:18 pm
BLUEBERRY
You all wake up, but you're still in the field of pillows and blankets. However, right now, it's just you and maybe a few other members of the flock.
In the middle, you have a random sheet of paper that is to be filled out (if you cannot read or write, do not worry, you'll either instinctively know how to or someone can surely assist you if neeed be).
There's also a bag of snacks that you can carry with you on the journey. Enjoy them now, you can't take it all home.

If you would like to request something else, you must roll for it (ping Celi in discord if you do).
In the middle, you have a random sheet of paper that is to be filled out (if you cannot read or write, do not worry, you'll either instinctively know how to or someone can surely assist you if neeed be).
There's also a bag of snacks that you can carry with you on the journey. Enjoy them now, you can't take it all home.

If you would like to request something else, you must roll for it (ping Celi in discord if you do).

ROUND 1
So here's how to fill out the form, I better tell you know before I fall asleep again . . . ~
OOC RULES
One, you must pick a scenario that you must go through. I'll list them again:
Two, Choose four stats that you will use to perform every action. They can be the basic attack/defense/speed stats, or go wild like "the ability to create cotton candy from anything". I do think the more unique and tailored to your characters will be a more interesting run, but I'll do my best to make every adventure memorable!!
With regards to the stats, order them in preference of MOST IC FAVORITE/IMPORTANT to LEAST IC FAVORITE/IMPORTANT.
DISCUSSION
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Not the school one. That's way too close to life.
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Interesting. Should we pick a scenario first, so we can choose some appropriate abilities for it...?
The chicken one is a little bit...
[She is not sure she wants to grapple with the moral implications of intelligent chickens from space]
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SUBMISSION - SCENARIO
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SUBMISSION - STATS
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Round 2
Once you do, you find yourself right in the middle of the scenario, and you blend in with it. This might mean your appearance has changed or that your voice or mannerisms fit the setting as needed. The world feels real and you know any action you take can harm you as if it's a real scenario and not just a dream sequence.
And you have your bag of snacks, too.
Princess Flora has been locked up in a castle tower for as long as she could remember. It isn't as if she was completely without freedom, she could roam around the castle grounds during the day, of course. Inside the castle there was of course the main throne room, where the King and Queen often discuss business with foreign adversaries (in fact they are doing it right now to discuss specific trade routes though it's unknown as to what). However, Princess Flora was never allowed to partake in such discussions.
And then of course, the kitchen and dining room exists for all meals, and each meal is quite divine, but Princess Flora wasn't allowed to touch the stove at all, it's reserved for the maids and butlers only. There are various rooms with activities that she could entertain, she has music, art, a library- she had it all.
But all windows, including the windows in his bedroom, were barred. THe main entrance was protected by the palace guards and closed up at night. She was free to what she wanted except to be truly free.
The only one who knew of Princess Flora's distress was her beloved knight(s) (plural), and they were the only one who would support her in her dangerous, but necessary plot.
To escape the castle and live her dream. What was her dream?
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DECISION
Crit successes (when you roll two sixs) are super good results. Crit failures (when you roll two 1s) are super bad results.
This means you roll 2d6 + [the bonus modifier].
Just notate action - stat type (roll #) here. If it's a crit fail/success, notate that too!
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Round 3
The knights ran around, looking for resources that seem useful and they found quite a bit. Food supplies, medkits, rope, blankets, etc, and most importantly really sharp objects that can be used for sharp object reasons. Theres' even an axe! But pretty much, they got plenty of supplies to last them on their journey.
Once that was set up and Flora wrote her letter (we'll come back to this later), they begun the first process of the escape.
To summon dragons.
You guys did manage to summon dragons, for what its' worth and they do distract the palace guards quite a bit! However! They also! Distract! You guys.
Yes, these dragons are not aiming anywhere in particular and just trying to snatch up any person they see, including you guys. Wuh oh, what do you do now??? Dragon diplomacy?????
...
Honestly, you should write a news artic-
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Round 4
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While that happens, Minuet grabs Flora's hand and tries to dash away quickly before it gets messier, but Flora can't just leave the dragons to harm her beloved knights!! So of course, for the time being, she has to unsummon them, hoping that at least no one will realize that she is the source of the dragons. This also meant the guards were now free from distractions and they decide to chase after the princess.
Minuet and Flora dash down an alleyway, but it's a dead end. And at the end of the alley . . .
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It's just a bag of donuts (4) tbh. Not a bad find, but it's unfortunately offbrand and so it's way too sweet on an already sweet product.
But at least it's just donuts!!!
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What's the next step!!
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FINAL ROUND
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And then one of of the guards was like, "What, like how you totally took care of that dragon????? Lmaooooooo, loser."
And then the two of them got into a fistfight.
As they do that, Minuet comes in offering donuts to the guards which works better. They don't necessarily let him go, but they stop harassing him and the others, distracted just enough for Flora to escape.
As she does, she finds that one of the dragons caused just enough damage in one of the walls where she can crawl through and escape. However, before she does that, she is intercepted...by her parents!!!!!!!!!!!!!!!!!!!!!!!! Oh no!!!!!!!!!!!!!!!!!
They have her letter (the one from earlier) in hand.
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